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Platinum Notes v.3.2

~~ Improve Your MP3s ~~ Drop in your audio files.

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Install Platinum Notes 4.0. Download the latest release: Mac OS X download. Minimum Requirement: Mac OS X 10.9 or higher. New in Version 4.0: Add warmth to your music for a beautiful analog sound. Visualize the results of Platinum Notes processing at a glance. Save files to MP3, WAV, AIFF, Apple Lossless, or FLAC.

Available now for PC and Mac, Platinum Notes 4 claims to automatically improve the vast majority of digital music files. Is the first update to the music file improvement software from Mixed In Key in more than two years. For the uninitiated, Platinum Notes is designed to batch analyse all of your music files and make overall improvements to them like correcting volume differences, tightening up the bass drums, removing digital clicking, and correcting key discrepancies. While some people baulk at the idea of letting software “automatically master” their music, others swear by the results Platinum Notes gets them – and the new version (review coming soon), has added a beguiling extra feature in the shape of a “warmth” filter, designed to add back some of the warmth allegedly lost from music in the switch from vinyl to digital. We caught up with Yakov Vorobyev, the man behind both Platinum Notes and Mixed in Key, to ask him some of the questions you have asked us over the years since the last version dropped about music mastering and what Platinum Notes can (and can’t) do: What is the main purpose of Platinum Notes? To me, Platinum Notes is a guarantee that every file in my music collection will sound great on a loud sound system.

It’s software designed to improve your tracks by giving the same volume and excellent contrast between quiet and loud parts. You’ll enjoy perfect audio files without any clipping or distortion. Who is using it, and what for? Platinum Notes is made for DJs.

Speaking from personal experience, I get my tracks from different sources. I download promos from SoundCloud, and get lots of music from Beatport, Traxsource, Amazon and iTunes. None of them have equal volume, and many tracks have clipped peaks. This is not Beatport’s fault, they just sell the tracks that music labels provide to them. Our goal was to make MP3s and WAVs from different labels sound perfect together.

Yakov Vorobyev, founder of Mixed In Key and Platinum Notes, answers your questions about Platinum Notes 4. My music collection is all 320kbps MP3s and 256kbps AACs. Will it improve those? Most of my collection is 320kbps MP3s and uncompressed WAV files, and Platinum Notes works perfectly on them. In fact, we recommend that DJs buy WAV files and run them through Platinum Notes, since that provides the best source material.

Can it be trusted to fix things about my music files automatically, or should I be listening to them too? I trust it to work automatically. This is our fourth generation product, so it’s stable and mature. The first version came out six years ago, so we’ve improved a lot over that time. Once you drop in the first 10 files, you’ll understand very quickly what it’s doing and you will trust the results immediately. I don’t like the idea of applying something automated to my music without understanding what it’s doing – can you tell me in detail what exactly Platinum notes does when it processes a file please? First, the file is decoded to an uncompressed WAV.

Second, Platinum Notes analyses the volume of the file with our special algorithm that pays attention only to the drums. The benefit of drum analysis is that all your output files will have the same drum volume, which is really nice for beatmatching. Next, it detects any clipped peaks, and fixes them with a combination of an iZotope multi-band audio processor, and our custom algorithm for clipped peak repair. It makes your music sound smoother and less distorted.

After that, Platinum Notes adds warmth using an iZotope Exciter. We have three settings: “No Warmth”, “Gentle Warmth” and “Hot vacuum tube”, which regulate the intensity of the effect.

Gentle Warmth is like sitting by the pool in Ibiza during the summer. Hot vacuum tube is like listening to an old vinyl record at a record store.

Both are good settings, but we recommend the “Gentle” setting for most DJs. Any pitch problems are fixed during processing as well. Finally, Platinum Notes adjusts the volume of the output file by using another iZotope filter called IRC Limiter.

It’s an elite-quality plugin that makes music louder without clipping it. I want to point out that Platinum Notes never overwrites your original files. It creates new tracks with a slightly different filename, so you’ll know which ones have been improved. There’s no danger of messing up your music. Can you explain “decode to an uncompressed WAV”, please? Platinum Notes decodes to a high-quality WAV so it can work with the highest-quality material during the processing phase.

It keeps the music sounding crystal clear without any artefacts. I think it’s important to use high quality source material because it gives Platinum Notes more room to recover the quality. I can think of a photography analogy. Imagine trying to print a beautiful poster for your wall. If your source file is a low-resolution JPEG, the poster will look fuzzy.

If your source is a large RAW file from a top-quality DSLR camera, the poster will look crystal clear and beautiful. We recommend using WAV files for source material because they give Platinum Notes more room for improvement. What did you get asked for the most with regards to the version, and have these changes been made in the latest version? We added the new “Warmth” filter since it’s a really valuable tool for DJs. It’s nice to get a little bit of that “vinyl” sound without damaging the audio quality.

We also updated the user interface so it’s easier to see the results of processing for each file. It feels good to look at Platinum Notes processing hundreds of tracks. What other benefits/advantage does Platinum Notes have on top of those mentioned above? It saves you a ton of time. I used to open my files in Sound Forge and edit each one using a combination of different audio plug-ins.

It took forever. Platinum Notes can process thousands of my files without any effort – I just add my tracks, click “Start Processing”, and the whole thing gets done automatically. The typical “Auto-Gain” functionality in iTunes and Traktor cannot come close to what Platinum Notes does for each file. What “big names” are using and endorsing the product? Pete Tong’s a fan, and so are thousands of other Mixed In Key customers. People use it all over the world and it’s growing every day.

Who “ear tested” it? Whose job was it to listen to and tune the results being obtained from the software when you were developing it? Recently, we hired two audio engineers in Miami to audit our algorithm and suggest improvements.

Unfortunately, they agreed that the official template is as good as it gets. We were hoping for some new ideas. As a result of our audit, we decided to create a second template called “Festival” that has a little more “air” in the hi-hats. It has the perfect balance of bass and hi-hats for me: I use it on all my tracks.

Why is it so expensive? Platinum Notes is like the Rolls Royce of audio mastering. We use three different iZotope filters, a pitch correction filter from a highly respected German company, and several of our own algorithms. It’s crammed with studio-grade plugins and algorithms, so $98 is a very reasonable price. The is available at US$98 now. Do you use Platinum Notes?

What’s your experience of the software? If not, would you be tempted to? Please share your thoughts in the comments. We’re going to explore how iTunes does playlist management, and we may release a free upgrade that has better iTunes integration. Thanks for another +1 for that idea. I also have questions regard id3 tag comments, itunes rating and cuepoint/beatgrid in traktor. We don’t transfer cue points/beatgrids to new files because the audio may shift by a few milliseconds due to processing.

Every track created by Platinum Notes has to be re-done in DJ software, so we always recommend that people put music into PN first, and then drop it into their DJ software. Hey folks, Bought PN recently (and got lucky with the almost instant upgrade:-)) and so far, so good.

I do understand the concern about having to redo all your existing stuff. I also understand that the best advice is to only run your new stuff through PN (make it part of your download to playable track workflow). However, say you had been using PN for the last 2 years (only on new stuff), by now you’d have a pretty decent amount of tracks all cue’d, gridded and looped.

And now PN 4.0 gives us a great new “warmth” option, Read more ». I can see how that ruined your day. Especially when there was no actual work done on the music file itself (ergo no changes in the beatgrid), just metadata changes. Which makes me wonder.

MiK and PN take the original file, work on it, then store the results. I wonder (especially for MiK – since this is only an analysis tool) what would happen if the workflow in MiK becomes:. make copy of original file – add MiKversion# to the name). analyse the original file.

save the original file under the original file name Logic dictates (but Read more ». Being one of the first users of the software, I have used MIK & PN for years. I even bought their Mashup program. MIK is their flagship and the one I like; it does the job effectively enough – saving you a lot of time and effort. Mashup, to me is mostly a cheap imitation of MixMiester. But my real issue is with PN. The developers always tout iTunes in their examples of how to use PN.

The default file format in iTunes downloads is 256kbps, VBR AAC. However, PN does not offer anything similar in it’s ‘Output File Formats’. Yakov, that’s all very well; But like your interviewer Phil Morse mentioned: “My music collection is all 320kbps MP3s and 256kbps AACs” Evidently, the issue of all the 256kbps AAC tracks was not addressed because they’re technically unusable in PN for the reasons I stated. If you don’t want to touch AAC at all, you should at the very least incorporate 256kbps VBR, MP3. This is a no-brainer; you have just about everything else. – why not 256kbps?

Morse, myself and many others have a vast library of 256kbps music. Much of this was obtained from sites such as Read more ». The folks who hang out at phil’s place tend to be really nice. We seem to excel at working and playing well with others maybe we did learn something in kindergarten!! As for other dj sites, well, YMMV. Thanks for taking the time to answer questions about your product.

I read about it when i bought MiK and was somewhat suspicious of it. Based on the information you brought here today i am thinking i should reconsider my library is a mess anyway and cleaning it up might as well include making things sound better! Thanks, yakov! Hi guys, I’ve been using PN and MIk for about 2 yrs now and have noticed that sometimes the output file from PN processing has gone Mono for some parts of the song instead of being stereo all the way. For example, it sometimes eats up the left channel or the right depending on what it feels like! It’s not a regular thing, but I’ve noticed it happening.

I’m not sure if some of you have a similar problem. All I then do is delete that PN file and redo the process for those unsuccessfully processed tracks and it usually Read more ». I’ve had smilar problems with my PN 3. I find it only happens if I am running too many applications in the background or if I am using the source file in someway (previewing a track in OSX, or having just played the tack using itunes/VLC) Unfortunately I only realized it during the 2nd batch that the glitch occurred with and had already deleted the original files. So I had about 20 tracks that switch to mono halfway through playback. An easy fix if you can not re-process the original is to switch your software’s output to mono. Not many Read more ».

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I think PN is a great way to save time and improve the perceived audio quality but only if it does the job well. It is a great initiative and therefore I feel it deserves a thumbs up!

Unfortunately, I do have reservations, some of them previously mentioned. Paying $98,- is a good price ONLY IF it works well. If it doesn’t then it is still money thrown away and therefore I would really appreciate an honest answer about my biggest concern, explained as follows: I have been converting my vinyl to.wav formats (many, many styles of music from Read more ». I’ve tryed a few songs now.

How I did was run a few songs through PN then deleted the original removed the PN from song name inported back to Traktor. The file keeped all cuepoints but some were a little of so just moved them back on beat and all was fine again. So I can put all my songs throught PN without loosing my cue point although I need to go through them again to check if they are still on beat, but won’t have to remember where they were and set them all over from scratch.

So that Read more ». At the end of the day, you can only work on psycho-acoustics (i.e. The PERCEIVED sound). If a file is ripped at a certain bitrate, you can never make it actually better. The original information is just not there. Same goes for digital clipping. What happens is that the top of the waveform is simply cut off, producing a blockwave which sounds awful.

It is a neat trick that PN manages to remove the clipping, although I am guessing in essence they are reshaping the waveform. As such the resulting new waveform can never be an exact replica of the Read more ». We have three settings: “No Warmth”, “Gentle Warmth” and “Hot vacuum tube”, which regulate the intensity of the effect. Gentle Warmth is like sitting by the pool in Ibiza during the summer. Hot vacuum tube is like listening to an old vinyl record at a record store. Both are good settings, but we recommend the “Gentle” setting for most DJs. Any pitch problems are fixed during processing as well.

Could you possibly elaborate on this “pitch problems are fixed”? Does it mean tempo-pitch? Or what sort of pitch? Does it mean if you run thru an old Read more ». We have two options for pitch correction, which you can see in this screenshot: Option #1: Vinyl-style.

If the pitch of the song is too low, we increase the BPM to make the song more high-pitched. This is equivalent to increasing the pitch on your CDJ or turntable.

This is the safest, most gentle way to correct pitch problems without affecting audio quality, but obviously it’ll change the BPM of the output file. Option #2: Re-pitch. We fix the pitch, but keep the exact same BPM. This what you would get if you used Ableton Live’s “Complex” repitch mode. Hi allI would like to elaborate on this, if I’m not mistaken, I think there is slight confusion here with the term ‘pitch’ and that goes back to the days of the use of vinyl on the Technics SL1200 turntables. These turntables have a fader called ‘Pitch Adjustment’. By using this, not only would it change the ‘speed’ or ‘tempo’ of the track but with vinyl it would also change the pitch or the ‘perceived tone’ (hence the name ‘Pitch Adjustment’).

Therefore, back in the day, DJ’s used to speak about ‘pitching’ vinyl records up or down but what they Read more ». Yeah, I think that is right.

Key correction is a highly specialized field. Yakov already mentioned AutoTune (and there are others) as a tool for doing that. Even AutoTune is still pretty much ment for single channel operation (i.e. Only vocals or a piano for example), it is still pretty much not possible to do pitch correction on stereo tracks. AutoTune is a great tool to correct one or two notes that missed the mark for a recording without having to redo anotherwise perfect take. Some producers now actually use it as a creative tool. If the total pitch of Read more ».

“If the total pitch of a track is off, EVERYTHING in the track will be off by the same amount. I think that what PN does is check this trackwide pitch deviation and corrects it” This is spot on. The pitch correction doesn’t adjust individual instruments in the mix, it adjusts the entire song’s overall pitch. This example will illustrate why this is important.

If you have one song that is 25% off key flat, and one song that is 25% off key sharp, and then you try mixing them harmonically, you’re half a semitone off pitch which isn’t going Read more ». Too much information to go into a full blown description of formats here, but let me try to give you some short answers (I know, I can’t really do short answers, but bare with me:-). In essence lossless files (regardless of their denomination) will store files at approximately 40-60% of their original size, without losing any of the original sound quality.

So, you can always recreate the exact sound of the source (for example CD) file. Hence the term lossless, you lose nothing. Lossy files use “tricks” to make files much smaller (320kbps is only 20-25% of the original, Read more ». In all fairness (I hate iTunes and have very little 256kbps AAC files in my collection as a result), rumor has it that AAC 256kbps sounds the same as 320kbps MP3. If this is the case, which for lack of evidence to the contrary I will accept for the sake of this argument, then there is no real downfall to using lossy AAC files instead of ALAC lossless.

The discussion has been back and forth here and on the forum for many times, but the concensus seems to be that, ESPECIALLY in the environment DJs work in (often mono, always Read more ». The thing isfor years I’ve been using original.wav files and since using Traktor via iTunes, I’ve converted those to ALAC so as not to lose sound quality AND incorporate tags (which can I think only be done in iTunes using mp3 or ALAC). Once though, I purchased some tracks via iTunes (which hopefully I’ll NEVER need to do again) or even less often ‘rip’ the occasional unavailable track from wherever. I understand your point about clubs and I agree but it’s a real waste to lose sound quality if not necessary. There was a recent article on this site about choosing file formats for your music library that should be of help – While I don’t doubt that Platinum Notes makes certain improvements to older audio files and brings the whole collection into line I find it concerning that modern digital lossless releases would not already be mastered in the way that the producer had intended them to be heard.

Why modify or change that sound which may intentionally be distorted or rough for a reason. That’s how electro-house got its sound. “I find it concerning that modern digital lossless releases would not already be mastered in the way that the producer had intended them to be heard.

Why modify or change that sound which may intentionally be distorted or rough for a reason.” I’m surprised that this wasn’t mentioned in the article. It’s because of a concept known as the loudness war (youtube it for some excellent examples). In summary, mastering engineers have progressively been mastering audio louder and louder in an effort to sound “better” than the other guy’s music.

This loudness comes at the cost of reduced dynamic range. You beat me to the punch, Chad. If only we could get those mastering uhmm ‘engineers’ to stop with the ridiculous 2-3dB dynamic range idea.

It has just gotten soooo out of control. Several tracks I had recently did just not move the meters at all, with every led representing a 3dB jump. Yep, it sounded loud, but also tiring, flat and unimaginative if there is such a thing. Would be so much easier not having compression (of that magnitude) to begin with as opposed to reversing the process with expanders and stuff. I play in a very wide variety of electronic genres and I’ve run my whole collection through platinum notes three and I can tell you that maybe 95% of the time it’s an improvement.

However if you play a lot of ambient music you might want to watch out as a lot of those tracks are meant to be a bit quieter than a normal track. Platinum notes 3, in my experience can push these types of tracks a bit too far and create some harsh tones and I’m not sure whether they fixed this or not in the new Read more ». I am a longtime MIK, PN, Mashup user and enjoy using each of those programs but would much prefer paying and upgrade price rather than a repurchase price whenever there is an update/upgrade. Also please tell me can you somehow add a feature to PN and MIK that knows when you have already processed a file and will recognize it a) doesn’t need improving, and therefore just recognizes it in the library list and cuts down on time etc. B) needs to be reprocessed for say improvements made in the software. Lastly renaming meta data because of say new software Read more ». How comes that when i run my applelossless files trough PN4 and output setting is applelossless aswell,that the Pn files got more size.

PN files are all 1411 kbit/s and original files inbeetween 800 or 1050 kbit/s. With my over 40 000 applelosless files,it makes a diffrence for storage space. Can i just reconvert them after to make em smaller again without and loss of Quality?

Why PN can,t convert them same size as other Converters? Another problem i face is,that when i import the PN mp4,and same time the normal mp4 into itunes to check for doubles,that i could Read more ».

Hey everybody, I just want to say I bought Platinum Notes 4 for Mac and it is for sure worthwhile. The price-tag is, I agree, a bit higher than I think the market is willing to pay, but for a professional, it’s a small price to pay for what it does. The biggest thing for me was normalizing/limiting all my tracks to the same level so that I don’t need to mess with my gain settings on my mixer. Purists will argue this is no big deal, but it’s a huge deal.

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If you never need to check your levels, Read more ». Can someone kindly give me a little step by step tutorial on how to transfer the PN files in to iTunes please. Basically I know how to transfer my files from iTunes it to Mixed In Key, then I transfer the one that need to be adjusted ii to PN.

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Then I go in to the PN output folder and (here is where I get confused) one by one I swap the files that have been fixed by PN. These files before I move them from the output folders to iTunes they have a distinguished “PN” sign Read more ». I have had mixed in key for a while, and love the results, so I picked up my copy of PN, wow.

So nice i expected it to improve songs, and i expected it to volume level, what i did not expect, and was a pleasant surprise was how easy it was i took a sample group fully expecting that some “improvements” may not actually be improvements at all with default settings, not the case. Every track sounded the same or better. With zero effort i mean how can you complain about that.

I have a 6 core machine and Read more ». Hi, I tend to edit each trax manual especially when it comes to the volume which I believe should be consistent whether your ripping from vinyl or CD’s. PN4.0 has made the task of batch processing easier with what appears to be outstanding results but I have a two of questions that may have been asked already but I can’t find the answers.

1 After using PN4.0 to process your tracks, why does it move your cue points forward and 2 is it my imagination that the tracks appear to be slightly shorter: for example – original duration: 00:05:12:793 after Read more ».

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